Rules to avoid in kitchen design: no south-facing door, no doorless or open kitchen, no central platform, no mirrors or water artifacts, no toilet on any of its six sides and no well, borewell or tank above or below.
The kitchen is the fire element ruled by Mars. It is best in SE, then SSE, then West and NW; SW, NE and North are dangerous, and every other zone gives its own result.
Make the platform L-shaped or I-shaped, never U-shaped, and keep the burner on stone; ceramic tile is very good, synthetic quartz, marble and steel are acceptable, while laminate, wood and black stone are not.
Kota stone (about 40 percent lime and 22 percent silica) is cool and full of good energy; it represents Mercury and is the best stone for stairs and business floors, especially in green.
When selecting a plot, flat or industrial land, the energy of the land itself decides about 70 percent of the result, more than slope, shape or surrounding structures. A building made fully as per directional vastu can still fail on land with bad energy.
The word Vastu comes from the Sanskrit vas, the land of residence, so the condition of the land is judged before any direction. Land energy decides about 70 percent of the result.
Land (geopathic) energy, which is the earth element, carries 70 percent of the result of a building, while orientation and zoning carry 30 percent. A site with zero land energy fails however good its orientation and interiors are.
Where a brick kiln has run for a long time, the chemistry of the soil is destroyed and its elements turn to ash. Such land should not be taken for any project even free; treatments exist for those who already own it.
The outer pishach bhoomi of a plot is always left open on all sides, and on a North-facing plot the building is placed in the South and West part, leaving open space for energy to enter.
In earlier times, after garbh vinyas and the plinth beam, builders left the work for a season of about three months so that the sun, moon, 27 nakshatras and 9 planets could fully act on the newly acquired and worshipped land.
A lift belongs to the fire element; its pit may be dug in ESE and SE, but from SSE onward only a pitless lift is allowed. The lift zones named are ESE and, best of all, WNW and NW, then SE; SSE only pitless, NNW only in an emergency and never the North.
A plot touching a temple wall on the deity's left side, or behind the deity's back, should not be taken even free, for a home or a business. The deity's right side is good if the walls do not touch, and the front is good only beyond double the distance.
The sun's movement from East to West creates a magnetic effect with North and South poles. A plot, building, room or hall whose North-South axis is longer (chandra-bhedi) holds the strongest magnetic field, giving attraction and concentration; one whose East-West axis is longer is called surya-bhedi.
Some texts use a word read as maans (meat) in devta offerings, but Vishwakarma Prakash clearly states that maash means black urad dal, made into a pithi (paste), not meat.
Even a main door placed on a correct pad such as E3 or E4 gives no result if its threshold (dehleez) is not at water level or the door leans. A door leaning outward slowly empties the house, and one leaning inward invites illness.
The main door should have two shutters opening inward and a height twice its width; doors and windows should be even in number, and window shutters should open outward.
Make the main door of solid wood such as teak, ideally with a little sandalwood, and carve auspicious symbols, mantras and floral designs on it. Energy takes on the chemistry of the material it passes through, so flush, ply, fibre and glass doors weaken the result.
The main door is the door of fortune: like the two nostrils it draws nature-given positive energy into the whole house and lets negative energy out. Its two shutters stand for ida and pingala, the two breaths that alternate roughly every hour.
A main door must not face a T-junction or a temple, must not open straight onto an open courtyard and must not have another door above it. All doors should be at one level, and the main door needs a porch and decoration.
The main door should be rectangular, its height twice its width, with a four-piece wooden chaukhat. When the 1:2 ratio cannot be kept, size it by aay (length times width divided by 8) to get a 1 or 3 aay door.
A mandna is a traditional drawn figure whose shape and colours pull cosmic energy and create a field of energy, so each element has its own mandna to balance an imbalanced zone. They work in industrial, commercial and residential buildings.
The manushya bhoomi, the second band inward, takes the main door, windows, kitchen, bedrooms, dining room, puja room and stairs. No shilanyas, boring or pit should be made in it, and above all not at the corners of its transition with the pishach bhoomi, where the shishu pishach and pishacha points lie.
When only part of a plot is built and land is left open around it, the 45 devtas are allocated on the whole plot from its centre. The open land becomes a large pishach bhoomi where the 32 outer devtas spread out happily, and the inner devtas get cross ventilation from all sides.
Marble is calcium carbonate (CaCO3); homes with all-marble or Italian marble floors and no wooden flooring were found with sinus and bronchitis problems and, over time, pain in the knees, legs, thighs and back.
The South belongs to Mars. Its interior uses a small share of red with pink, orange, ivory and light green, copper, coral, ruby and red quartz, paintings of high mountains, a red horse or red elephant, a rock garden and Mars plants.
Every trade belongs to a planet; using that planet's colour, shape, artefacts, paintings, metals, mirrors and glass at the business multiplies its energy, while a clashing colour can shut it down.
Building materials affect health: the lung diseases common today are linked to the heavy use of adhesives and oil-based paints. Bricks, stones and other materials for a home should be chosen with care.
The North belongs to Mercury. Its interior uses green with blue, ivory and white, Kota stone, green marble or limestone, emerald-family minerals, flowers and fragrance, Kuber and water pictures, a bandanwar, clay artifacts and a small library.