Also known aspaintingphototasveerpicture
Parjanya, the cloud and rain devta (megh, badal) at E2 next to Shikhi, brings rain, productivity and fertility and fulfils plans and wishes like a kalpavriksha. It is the doctor of crops, people and animals.
Picture of white gandharva nagar clouds
E2 pad, 50.625 to 61.875 degrees from North, outer pishach bhoomi (North-East into East-North-East)
Shikhi, also called Shiva, is the first outer devta of the pishach bhoomi, at E1 near the North-East corner. A mahayogi and a highly sensitive maha-dowser, its pad reacts at once to anything done there; it governs vision, foresight and decisions.
Photo of a guru or yogi, or a scripture
E1 pad, 39.375 to 50.625 degrees from North, outer pishach bhoomi at the North-East corner
Bhrisha, the seventh devta of the East, is weighty and powerful with its own gravity; balanced, it awakens the nerves of the brain and raises thinking power, observation and one-pointed concentration, like a bird gazing fixedly at one point. Imbalanced, the mind gets confused, the nature turns dominating and kidney problems appear.
Parrot painting
Pad E7 of the East side, 106.875 to 118.125 degrees (East-South-East zone)
The elephant is the vehicle of Indra, lord of the East. Between the East and the North-East lies a 45-degree span with several pads, among them a debt door and a door that makes one rich, and every 11.25 degrees the chemistry and circumstances change, so the exact pad matters.
A picture of the Sun goes only in the East. Make sure it really is the Sun: a Sun-like figure with a moustache is Shani Dev, and in one prominent family his images on both gates facing the house were followed by incurable illness in member after member.
Correct it with a painting, door power, door decoration (door sajja) or a door bandhan hung outside. Where the door has one shutter, keep a bandhanwar always hung on it and the dosh is not counted.
A devta does not own one wall; it is an 11.25-degree sector. Shikhi and Parjanya face East, so put the picture within that sector, facing East; when a student asked, West-facing was also accepted.
Especially people whose wishes are not coming true or whose production is not happening. A shining white gandharva nagar picture at Parjanya fulfils wishes like a kalpavriksha, completes stuck work, brings back stuck money, helps sell a property that is not selling, builds market image and gets goods and machine production moving.
All of them, photos of ancestors, gods and family and statues of deities, will be taught in detail later, including where each goes and which way it should face. Even the wider world is confused about which way ancestors' photos should face.
Yes. Family photos can go in the SSE with the faces in the photo turned toward North, and a Hanuman ji picture can also go there, facing South.
No. Put up a picture of your own isht (chosen deity) or of the guru you follow.
No. Ancestors' photos should not be put inside the bedroom, even when the bedroom is in the South-West.
Yes, they also represent a planet and should be placed correctly. A consecrated God's photo should face North or East, or West if that is not possible, but never South; South-facing is for the photos of ancestors who have left this world.
Anywhere except the South and SSW zones, on a wall where everyone's face looks North, that is, on the South wall. The living face the direction of life; only the departed are made to face Yama in the South.
Vedic vastu says the defects of a wrongly placed door can be removed through the decoration of the door itself: auspicious symbols, yantras, paintings and artworks made on the door, door power at the threshold, and a bandhanwar (toran) hung on it. This class therefore treats wrong doors with symbols, torans, bandhanwars and colours rather than structural changes.