Also known aspaintingphototasveerpicture
Love birds, as a metal artefact or a painting, placed in the South-West improve love life; use them where husband and wife have differences.
Love birds artefact (metal) or painting
South-West
When the North and East are raised and the South and West cannot be made higher, a picture of a mountain peak such as Everest in the low-lying South or West zone changes the mind through the image and brings opportunities.
Low-lying zone among South, SSW, SW, WSW and West
Red horses represent the fire element and the Sun (Surya nadi), so they are placed in the South in an odd number (1, 3, 5, 7 and so on) for fame and recognition.
Picture or idol of red horses, odd number
South, horses facing North or East
For the last house of a colony at a dead end, a painting on the end boundary wall showing the road continuing with houses on both sides opens the path; the image changes the mind and stuck work moves.
Wall paint for a road-continuation painting
Dead-end boundary wall facing the road; closed North or East walls
A moon painting represents the Moon, whose location is the North-West, and gives peace and happiness; use an original photograph of the Sharad Purnima moon.
Original photograph of the Sharad Purnima full moon
North-West
White horses represent the Moon and the water element; they are placed in the North-West, always in an even number such as two, because the Chandra swar takes even counts. They sort out financial problems.
Picture or idol of white horses, even number (2, 4, 6)
North-West, horses facing North or East
The elephant is the vehicle of Indra, lord of the East. Between the East and the North-East lies a 45-degree span with several pads, among them a debt door and a door that makes one rich, and every 11.25 degrees the chemistry and circumstances change, so the exact pad matters.
A picture of the Sun goes only in the East. Make sure it really is the Sun: a Sun-like figure with a moustache is Shani Dev, and in one prominent family his images on both gates facing the house were followed by incurable illness in member after member.
Correct it with a painting, door power, door decoration (door sajja) or a door bandhan hung outside. Where the door has one shutter, keep a bandhanwar always hung on it and the dosh is not counted.
A devta does not own one wall; it is an 11.25-degree sector. Shikhi and Parjanya face East, so put the picture within that sector, facing East; when a student asked, West-facing was also accepted.
Especially people whose wishes are not coming true or whose production is not happening. A shining white gandharva nagar picture at Parjanya fulfils wishes like a kalpavriksha, completes stuck work, brings back stuck money, helps sell a property that is not selling, builds market image and gets goods and machine production moving.
All of them, photos of ancestors, gods and family and statues of deities, will be taught in detail later, including where each goes and which way it should face. Even the wider world is confused about which way ancestors' photos should face.
Yes. Family photos can go in the SSE with the faces in the photo turned toward North, and a Hanuman ji picture can also go there, facing South.
No. Put up a picture of your own isht (chosen deity) or of the guru you follow.
No. Ancestors' photos should not be put inside the bedroom, even when the bedroom is in the South-West.
Yes, they also represent a planet and should be placed correctly. A consecrated God's photo should face North or East, or West if that is not possible, but never South; South-facing is for the photos of ancestors who have left this world.
Anywhere except the South and SSW zones, on a wall where everyone's face looks North, that is, on the South wall. The living face the direction of life; only the departed are made to face Yama in the South.
Vedic vastu says the defects of a wrongly placed door can be removed through the decoration of the door itself: auspicious symbols, yantras, paintings and artworks made on the door, door power at the threshold, and a bandhanwar (toran) hung on it. This class therefore treats wrong doors with symbols, torans, bandhanwars and colours rather than structural changes.